Tile Heritage Prizes
The Tile Heritage Foundation provides prize money each year in support of
contemporary tile-related artwork. We do not involve ourselves in choosing
the prizewinners; we leave this up to the jurors involved in each competition.
The Tile Heritage Prize is awarded to the artist whose work, in the jurors’
judgment, best reflects ceramic traditions.
The Tile Heritage Prix Primo was awarded to Bob Smith of Idledale Pottery,
Idledale, Colorado for his piece “Arid Torrent,” submitted last spring to the
16th annual National Ceramic Competition presented by the San Angelo Museum of
Fine Arts, San Angelo, Texas. Juror Ann Lancaster, co-founder and former
executive director of the Houston Center for Contemporary Craft, commented that
Smith’s work “reminds us of clay’s practical place in the manmade world.”
Quoting Bob Smith from his “Artist’s Statement”: I have been changed significant
ly and irrevocably by making clay art. My head, hands and heart have come together
during this active, long-term pursuit of my dreams. I am beginning to understand
the complexities of my medium, and because I work hard and with care and sincerity
to train my hands to do what they must, in this self-actualization I have become
passionate. Through some stroke of good fortune, I have found work which is
satisfying, engaging, challenging, and comprehensive, and through which my heart
can sing.
At the Third International Ceramic Tile Triennial (elit-tile) presented by the
Igneri Foundation Art and Archaeology at the Museum of Modern Art, Santo Domingo,
Dominican Republic in mid-November, Dwain Naragon was awarded the Tile Heritage Prize.
The jurors Mark Gordon from the U.S.,
Francois Ruegg from Switzerland, and tonal
contrasts and
Wilfredo Torres from Cuba commented on Natagon’s excellent use of glazes,
his exquisite way of realizing the duality of repeated patterns.
Dwain Naragon is Professor of Art at Eastern Illinois University in Charleston.
Commenting on his work he wrote, “For years I have studied historical ceramics.
Consequently this has led me to exploring anthropology and archaeology which provide
universal clues to functionality and containment.”
Prizes were awarded in mid-September for “One Square Foot,” a national juried tile
exhibition at the Infinity Gallery in Minneapolis presented by Clay Squared to Infinity.
Among the works chosen by juror Jason Busch, formerly a curator of decorative arts at
the Minneapolis Institute of Arts was a tile by Wendy Penta-Nelson at Stone Hollow
Tile, St. Croix Falls, Wisconsin, that won the Tile Heritage Prize. Wendy’s tiles are
infused with her love of the Arts and Crafts era. The subtle matte glazes create
shadows and capture the moods of nature.
On a Sad Note
There is no easy way to report the loss of two dear friends, Mildred and Chris Bradley,
who passed into tile heaven within a month of one another just before the holidays.
Many of you will remember them fondly—Chris, the Navy vet with his metal “front legs,”
and Mildred with her cherubic charm weighted down with bags full of tiles. On tour
Mildred would admonish me for catering to what I perceived as Chris’ needs. “Don’t
worry about him,” she would say, “he’ll catch up with us soon enough.” Of course, she
was right.
We first met in 1992 when they attended the Tile Heritage symposium in Southern
California. From that time on they came to every Tile Heritage event until the recent
conference in Minneapolis. Avid rock collectors for years, the two quickly became tile
fanatics, collecting both historic and contemporary tiles. Sheila and I visited them
at their home on Staten Island and were thrilled to see all the tiles on display, each
with its own story. We also noticed that most of the rocks had been relegated to the
basement!
Yes, they will be missed, but many of us will carry them both in our hearts for years
to come. That’s just the kind of people they were.
Joe Taylor
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